So many yogas, so little time… and so few words. In my WSJ review of “Yoga: The Art of Transformation” at the Smithsonian’s Sackler, I did not have the space to single out an 8th-century ivory carving from Kashmir. Less than five inches tall, it draws you into the story of the Buddha as he adopts, then rejects ascetic yogic practices. The central figure shows him so emaciated his rib cage and hip bones protrude while, amid the many figures clamoring for his attention, we spot two long-haired yogis. On the left, a tiny curled up Buddha seems imprisoned by hunger. On the right, he sits up and looks ready to step into the world as he accepts an offering of food.
Great storytelling and amazing carving.
Also, don’t miss “Strange and Wondrous: Prints of India from the Robert J. Del Bontà Collection,” where many of the works complement nicely the section on yogis in the European imagination.