The power of leaving a hand- or footprint.

A couple of people were taken with the notion, mentioned in my review of "Faith and Empire," that by making a foot- or handprint, one creates a permanent link with the object, the way, say, the shroud that wrapped a saint's body becomes a relic. Credit goes to  Kathryn Selig Brown, a scholar of Tibetan … Continue reading The power of leaving a hand- or footprint.

Portraits in bronze

One of the many treats in "Faith and Empire: Art and Politics in Tibetan Buddhism" at the Rubin Museum of Art are two bronze portraits of lamas.  We see so many idealized Buddha and bodhisattva figures, it's easy to forget that the sculptors were also capable of expressing people's individuality.  Meet lama Change Rolpai Dorje … Continue reading Portraits in bronze

An Ho — a great gift, a great loss

Not long ago, I was telling a curator of Chinese art that the next time he was anywhere near New York state, he had to meet An Ho, who had trained with Pu Ru, one of the last scholar-artists of China.  This caught his attention -- but there was so much more to be said … Continue reading An Ho — a great gift, a great loss

Kings dreaming of immortality

Some say it's the Year of the Rooster, but in my book, it's year of the Han.  There has been a succession of shows highlighting this dynasty, which ruled from 206 B.C. to 220 AD.  It so consolidated a sense of identity that ethnic Chinese today still identify as "Han." In New York alone, there … Continue reading Kings dreaming of immortality

Bamboo art in the Met’s Japanese galleries

The Japanese galleries at the Met are like a bride -- they always have something old, something new, and no doubt if you look hard enough you'll spot something blue.  This summer, bamboo art is the overarching theme, starting with "The Gate," an amazing construct that artist Tanabe Chikuunsai IV created for the entrance to … Continue reading Bamboo art in the Met’s Japanese galleries